Saturday, January 09, 2016

366 Days with J. Jonah Jameson, Day 9: Nyuk nyuk nyuk nyuk!


Panels from Fantastic Four Roast one-shot (May 1982), script by Fred Hembeck, plot assist by Jim Shooter, pencils and inks by Michael Golden, colors by Glynis Wein and Andy Yanchus, letters by Joe Rosen

Friday, January 08, 2016

366 Days with J. Jonah Jameson, Day 8: The Donald Trump Story



Panels from "Spidey for President!" in Spidey Super Stories #49 (November 1980), script by Jim Salicrup and Steven Grant, pencils by Win Mortimer, inks by Ricardo Villamonte and Mike Esposito, colors by George Roussos, letters by Raymond Holloway

Thursday, January 07, 2016

366 Days with J. Jonah Jameson, Day 7: Where's my money, honey Jonah?



Panels from Omega the Unknown (1976 series) #5 (November 1976), script by Steve Gerber and Mary Skrenes, pencils and inks by Jim Mooney, colors by Janice Cohen, letters by Joe Rosen

Wednesday, January 06, 2016

366 Days with J. Jonah Jameson, Day 6: Comics completely disses Nicéphore Niépce


Panels from Amazing Spider-Man Annual #39 (July 2012), script by Brian Reed, pencils by Lee Garbett, inks by John Lucas, colors by Antonio Fabela, letters by Joe Caramagna

Tuesday, January 05, 2016

366 Days with J. Jonah Jameson, Day 5: Great Mysteries of the Marvel Universe Explained


Panel from X-Factor #219 (July 2011), script by Peter David, pencils by Emanuela Lupacchino, inks by Guillermo Ortego, colors by Matt Milla, letters by Joe Sabino

Monday, January 04, 2016

366 Days with J. Jonah Jameson, Day 4: What's new, pussycat?



Panels from Peter Parker, The Spectacular Spider-Man #2 (January 1977), script by Gerry Conway, breakdowns by Sal Buscema, finishes by Mike Esposito, background inks by Dave Hunt, colors by Don Warfield, letters by Gaspar Irving Watanabe

Sunday, January 03, 2016

366 Days with J. Jonah Jameson, Day 3: Purple desk? Check, Yellow wallpaper? Check. Green sofa? You got it!


Panels from Marvel Team-Up #103 (March 1981), script by David Michelinie, pencils by Jerry Bingham, inks by Mike Esposito, colors by Bob Sharen, letters by Diana Albers